IRENE ROSENZWEIG

BIENNIAL JURIED EXHIBITION

Highlighting Established, Up-And-Coming Mid South Artists

2025 Exhibition

Entry Deadline: July 18

Exhibition Dates: Sept. 18, 2025–Jan. 24, 2026

Entry Portal

2025 Awards

Best In Show
“Shuku III”
by Joy Okokon
Springfield, Missouri
Terracotta, gold leaf
First Place
“Bits and Pieces”
by Sarah Clark
Springfield, Missouri
Glazed ceramic tiles, jump rings
Second Place
“Looks Like Rain"
by Dennis McCann
Maumelle, Arkansas
Pastel
Merit Award
“Cyborg Daughter”
by Marika Christofides
Stillwater, Oklahoma
Photolithography and silkscreen
Merit Award
"Excrescence Exquisitus"
by Kara Gunter
Hot Springs, Arkansas
Flocking, paper, foam, found textiles, pins, kiln-formed glass
Merit Award
The House That Raised Us
by Annie Hutchins
Johnson City, Tennessee
Screenprint on fabric quilt with repurposed fabrics

2025 ROSENZWEIG ARTISTS

“Those Who Stay"
by Anna Zusman
“The Very Act of Recalling Distorts”
by Rebecca Talbot
"Familiar Strangers"
by H. Jennings Sheffield
“Green House”
by Sabine Schmidt
“American Illusion #3"
by Mark Schmidt
"It's Always Something (What She Said Series)”
by Kathy Rodriguez
“Bead Crochet Head Piece"
by Brendan Ritter
"Four American Landscapes"
by Daniel Plummer
"Three Boys"
by Rashawn Penister
"A Tornado, a Turnip, and a Minotaur Walk Into a Bar — Covers"
by David Orr
“Shuku III”
by Joy Okokon
“We Will Make It"
by Mable Ni
“Shattered Rosette”
by Andrew McIntyre
“Mrs. Lucy's Wash #3”
by Glenda McCune
“Looks Like Rain"
by Dennis McCann
“Hong Sh o Niu Rou Mian”
by Alex Lee
"Excrescence Exquisitus"
by Kara Gunter
“Trains of Forgotten Dreams #1”
by Nabil Gonzalez
“The Wilderness of My Lament”
by Deby Gilley
“2 P.M.”
by Claire Cochran
“Bits and Pieces”
by Sarah Clark
“Cyborg Daughter”
by Marika Christofides
The Twins
by Cassandra Christ
“My Garden View”
by Susan Chambers
“Tire Growths”
by Jennifer Casey
“Bearer"
by Critz Campbell
"Untitled"
by Sally Brogden
"The Protectors”
by Dagon Blank
“American Relic”
by Darrell Berry
Unity
by Peter Barnitz
We Can All Agree That A Vacation By The Water Is Awesome
by Marilyn Artus
"Horse Hair Pot"
by Beth Atkins
"I See It Coming"
by Oluwatobi Adewumi
The House That Raised Us
by Annie Hutchins

ABOUT THE ROSENZWEIG EXHIBITION

The Arts & Science Center for Southeast Arkansas is home to the Irene Rosenzweig Biennial Juried Exhibition.

The prestigious show — funded by an endowment by the notable Pine Bluff resident — is an opportunity for established and up-and-coming artists to gain recognition and earn prizes, and for ASC to grow its Permanent Collection.

The exhibition is open to artists 18 and older in Arkansas, Louisiana, Mississippi, Missouri, Oklahoma, Tennessee, and Texas. Artwork in the following forms are accepted: Paintings, drawings, original prints, fiber art, ceramics, sculpture, photography, digital works and video.

The following prizes are awarded:

The exhibition is supported in part by The Arts & Science Center Endowment Fund and the Irene Rosenzweig Endowment Fund

2025 ROSENZWEIG EXHIBITION RULES & GUIDELINES

Important Dates
Prizes
Who is Eligible?
Eligible Work
Entry Specifications
Fees
Submission Guidelines
Price & Value
Photography & Media
Shipping
Liability

For questions about the exhibition, please contact Visitor Relations Coordinator Matthew Howard at mhoward@artx3.org.

2025 JUROR

Eepi Chaad

2025 JUROR

Eepi Chaad

Eepi Chaad (she/her) is a multidisciplinary artist, cultural worker, and naturalist based on the Gulf Coast. She tells stories using textiles, fibers, metals, places, and people. Her practice studies human impacts and lives at the intersection of natural and built environments. Chaad’s work ranges from tiny adornments to large-scale installations to the art of making space and convening people. She has presented and exhibited work internationally and has received numerous grants and awards, including residencies with the Contemporary Arts Museum Houston and the City of Houston and, most recently, the BANF Artist Awards. Recent projects include a public art installation in Galveston, Texas, a collaboration with the Houston Grand Opera, and an exhibition at Arrowmont School of Arts and Crafts in Gatlinburg, Tennessee. Chaad intentionally grows her practice through exploration, connection, and a steady exchange of ideas.

Nurturing a role as a cultural worker is also integral to Chaad’s creative practice. She is Artist Services Program Officer with Mid-America Arts Alliance and in community roles including the PrintMatters Houston Board of Directors, the Houston Museum Educators Roundtable Steering Committee, and a peer mentor with Project Row Houses. Chaad has a history of working with community organizations with a focus on education and access, including Art League Houston, Arts Connect Houston, and Artist Boat in Galveston. Chaad believes art is for every community and that creativity is in every human.

Previous Rosenzweig Award Winners

One Too Many, Carmen Castorena
Mixed Media
Best in Show, 2017
All The Kings Men, Justin Bryant
Watercolor, ASC Permanent Collection
Purchase Award, 2015
My Reality, Christopher Hatley
Photography, ASC Permanent Collection
Purchase Award, 2017
Untitled, Yelena Petroukina, Little Rock, AR
Ceramics, 10" x 10" x 18", ASC Permanent Collection
Best in Show, 2021
They Call Him Jonah, Andrew Scott, Denton TX
Oil on wood panel
Best in Show, 2019
IRENE ROSENZWEIG’S LEGACY

Irene Rosenzweig was born in Pine Bluff on July 26, 1903, to Pauline Sarason-Rosenzweig and William M. Rosenzweig. Her father — an immigrant from Lithuania — opened the Good Luck Store (later Rosenzweig’s Department Store) in Pine Bluff. It was the city’s largest mercantile and farm supply store.

Her family home, a Queen Anne Victorian-style at 717 W. Second Ave—now known as the Roth-Rosenzweig-Lambert House—was added to the National Register of Historic Places in 1976.

Rosenzweig, who graduated from high school first in her class in 1920, earned an undergraduate degree in classical studies from Washington University in St. Louis.

She earned a doctoral degree from Bryn Mawr College in Pennsylvania. The American Academy in Rome awarded Rosenzweig the 1930 Prix de Rome Fellowship in Classical Studies and Archaeology. During her time as a fellow in Rome, she advanced research for her dissertation—published in 1937 as Ritual and Cults of Pre-Roman Iguvium: With an Appendix Giving the Text of Iguvine Tablets.

Afterward, Rosenzweig tutored President Franklin D. Roosevelt’s family members during their time in the White House. Rosenzweig also taught Latin at the Madeira school, a private preparatory school for girls, in Virginia.

She was fluent in French, German, Spanish, Latin, and Greek.

The Rosenzweig juried show has a long history with The Arts & Science Center, beginning with a gift from the Irene Rosenzweig Foundation in 1992. Rosenzweig died at age 94 on October 8, 1997, in Pine Bluff. She left a gift to ASC, the Irene Rosenzweig Endowment Fund, which supports the exhibition in her name and includes purchase awards for the center’s Permanent Collection.

From the Encyclopedia of Arkansas